Vegetarian

A pilaf is a savory dish of rice that has first been sautéed in fat and then cooked in a seasoned liquid. (It differs from a risotto in that the liquid is entirely absorbed.) Depending on the recipe, a pilaf may also include nuts, spices, a few vegetables, or even a complex meat stew. I make mostly simple pilafs, such as the red rice pilaf that follows, to go with quesadillas and black beans, or a basmati rice pilaf with saffron and onions to eat with a vegetable ragout. Long-grain rice is usually used in pilafs, although some cuisines use short-grain rice. Sautéing the rice before adding the liquid enriches the flavor of the dish and coats each grain in fat. This, along with thorough washing, keeps the rice from sticking together or clumping. Olive oil and butter are the most commonly used fats. To avoid burning the butter while sautéing the rice, add a little oil to it, or use clarified butter (see page 125). Onion is usually sautéed for a few minutes in the fat before the rice is added. After the rice is sautéed, a flavorful liquid is poured over it and brought to a boil. The pilaf is simmered, covered, until all the liquid has been absorbed, about 15 minutes. Depending on their cooking times, vegetables and meats are added sometimes with the liquid, sometimes after the rice has been cooking for a while. The tomato in the red rice pilaf here is added at the beginning to color the rice evenly. When done, pilafs should be allowed to rest for about 10 minutes before serving.

Polenta is a very simple dish of ground corn cooked in water. It is exceptionally tasty and, like pasta, remarkably versatile. When first cooked, polenta is soft; as it cools, it becomes firm and can then be fried, grilled, or baked. Soft or firm, polenta is great next to roasted or braised meats, or sauced with a spoonful of tomato, meat, or mushroom sauce. For variety, fresh corn or fava beans can be stirred into soft polenta. Polenta can be turned into a luscious torta by layering it with cooked vegetables, cheese, and sauce. Whether ground from yellow or white corn, polenta is ground coarser than cornmeal but finer than grits. When fresh it smells sweet and looks bright yellow. Like all grains, it should be stored in a cool, dark place and replaced when old. Cook polenta in boiling water. The approximate ratio of water to grain is four to one. This will vary depending on the variety of corn, how coarse it is ground, and how fresh it is; each batch you buy may be slightly different. Choose a heavy-bottomed pot when cooking polenta to avoid sticking and burning; use a flame tamer if a heavy pot is not available. Bring the water to a rolling boil and add the polenta in a slow, steady stream while stirring constantly with a whisk. Turn the heat down and continue whisking for 2 or 3 minutes, until the polenta is suspended in the water and no longer settles to the bottom of the pot. (This helps keep it from sticking to the bottom of the pan.) Season with salt and cook the polenta at a bare simmer, stirring occasionally, for about an hour. The polenta will be fully cooked and softened after 20 to 30 minutes, but the longer cooking time allows its full flavor to develop. Be warned that the thick polenta is very hot, so be careful when stirring and tasting. I spoon a bit onto a small plate to cool before tasting. Polenta should have a pourable, creamy consistency. If the polenta becomes thick or stiff while cooking, add water as needed to maintain the proper consistency. If too much water is added by accident, and the polenta becomes thin and soupy, just keep cooking it to evaporate the water. Polenta will set up quickly if not kept warm, so turn off the heat and cover the pot to keep it soft and hot for 20 minutes or so, or hold it for a longer time in a double boiler or by setting the pot in a larger pot of hot water. Polenta can be finished with butter or olive oil and cheese to enrich it and add flavor. Parmesan is the classic cheese to stir in, but try others; fontina, cheddar, or pecorino for example. Mascarpone or blue cheese is a luxurious garnish to top a bowl of soft polenta. To make firm polenta, spread hot soft polenta evenly onto a rimmed baking sheet (it is not necessary to oil the pan). A depth of about one inch works well for most purposses. Let the polenta sit at room temperature or refrigerate until set. Don’t cover until it has cooled. The firm polenta can be cut into shapes to bake, grill, or fry. To bake, brush with oil and bake at 350°F for 20 minutes or until crisp. To grill polenta, brush it with oil and place on a grill over hot coals; to prevent it from sticking, make sure the grill is hot. To fry, use shallow or deep fat. Polenta will always set up when cooled, but both very thin polenta and polenta that has been finished with a lot of butter or oil can fall apart when grilled or fried. A polenta torta is made of alternate layers of polenta—either freshly made soft polenta or polenta that has already cooled and set—and sauce, such as tomato sauce, meat sauce, or pesto; cooked greens or other vegetables; and cheese. A polenta torta is a great make-ahead dish, ready to heat up any time.

Fresh pasta, at least the version I make most often, is nothing more than flour and eggs. The prospect of making pasta may seem intimidating, but I assure you, it is surprisingly easy. The most time-consuming part is rolling it out, but a hand-cranked machine makes this job quick and easy. (Thrift stores and yard sales are great places to look for pasta machines.) The main ingredient of pasta is flour. The flour I use most often is unbleached, organic, and all-purpose. (Bleached flour, besides having added chemicals, has very little flavor and makes a sticky dough.) For different flavors and textures, whole-grain flours such as whole wheat, buckwheat, farro, and others can be substituted for up to half the amount of flour; more than that and the dough becomes friable or crumbly and can’t be rolled as thin as needed for some recipes. Durum flour makes great pasta with a good bite but unfortunately it is hard to find; if you do come across it, substitute it for up to half of the total flour. Semolina is ground from durum wheat, but it is very coarse and hard to turn into egg pasta. Experiment to see what your favorite flours and ratios are. To make the dough by hand, measure the flour into a bowl, one that easily holds the flour with plenty of extra room for stirring. Break the eggs into another bowl or cup and beat them slightly to mix the yolks and whites. Make a well in the flour (use a spoon or your hand to make a depression) and pour in the beaten eggs. Use a fork to stir as though scrambling the eggs, scraping in flour from the sides bit by bit. When the egg and flour mixture gets too stiff to stir with a fork, continue mixing with your hands. When the flour is mostly absorbed, turn the dough out onto a lightly floured surface and knead lightly until the dough comes together. It won’t be perfectly smooth. Wrap it in a plastic bag or plastic wrap and let sit for an hour at room temperature (or longer, refrigerated). The dough needs to rest to allow the gluten that has been activated by the stirring and kneading to relax, making the dough easier to roll out. To make the dough with a stand mixer, put the flour in the bowl, attach the paddle, and slowly pour in the eggs while mixing at low speed. Mix until the dough begins to come together in small, moist clumps. Turn out onto a lightly floured surface and knead together. Cover and let rest as above. Through trial and error I have discovered that a wetter dough is much easier to work with, especially when rolling out by hand (it does not spring back as quickly as a dry dough). The ideal texture for pasta is a dough that comes together easily but is not sticky. If, after mixing, the dough is crumbly and dry, moisten with a sprinkling of water. Add more as needed, a little at a time, but avoid making it too wet. If the dough is too wet and sticky, you can knead in more flour, but let it rest at least an hour to come together. Flour will vary from batch to batch, so what seemed like the perfect amount of liquid one time may be too much or too little another. Pasta can be rolled by hand or with a machine. The rollers of the machine create perfectly smooth noodles, while hand-rolling results in interesting surface irregularities for the sauce to cling to, adding nuance and flavor. It’s worth rolling the dough by hand once to taste and feel the difference. When rolling pasta with a machine, first flatten the ball of dough with your hands, then open the machine up to its fullest setting, and, while cranking slowly but steadily, pass the dough through the rollers of the machine. (If you are making a large amount of dough, divide it into smaller balls to avoid overloading the machine.) Fold the rolled dough over itself into thirds, as though folding a letter, and put it through the machine again. This process kneads the dough. If the dough is sticking, sprinkle it lightly with flour. Smooth out the flour with your hand before rolling again. Fold and roll two more t...

Fava beans are a harbinger of spring. Like other kinds of beans, they form in pods, but they are also covered in a tough, rather bitter skin. The earliest harvests offer beans that are tiny, brilliant green, and so tender they don’t need to be peeled. When not eaten raw, straight from the pod, these are best cooked briefly with a little water and oil or butter. As the season progresses, the beans continue to mature, and they become larger and starchier. At this point they can be popped out of their pods, skinned, and cooked into a luscious, bright green purée that I adore slathering on crisp croutons or serving alongside roasted meats. Still later in the season the beans turn yellow and dry out and are too mature to use this way. Fava beans do require a bit of preparation, but their delicate taste and splash of color are well worth the effort. Popping the beans from their thick soft pods is an enjoyable group project that even little children can join. An easy way to pop the beans out of the pod is to grasp one with both hands; bend the pod back against your thumbs and press out, snapping the beans out of the pod. After the beans are shelled the opaque outer skin of the bean needs to be removed. (Although in Mediterranean cooking the skins are sometimes left on, this increases the cooking time and results in a different taste.) To do so, plunge the beans into boiling water and leave them until the skin is easy to remove. This will take less than a minute, so check one right away. (If you cook the beans too long they will get mashed when you try to slip them out of their skins.) Drain the beans and put them in a bowl of icy cold water. When they are cool, drain them, and pop out the beans, using a fingernail to slit the skin and squeezing the bean out with the fingers of the other hand. Don’t cook the skinned beans too quickly; medium-low heat is best. Stir them occasionally as they are cooking, and, if you notice that they are drying out, add a bit of water. They are done when they can be crushed into a smooth paste when pressed with a spoon. All kinds of beans, fresh or dried, can be flavored and made into tasty purées. I love cannellini bean purée, fresh cranberry bean purée, and refried pinto beans, too. Another favorite hors d’oeuvre is chickpeas with olive oil and hot pepper puréed and served with flatbread or crackers.

Beans cooked and served simply seasoned—like the cannellini beans in the previous recipe with garlic and rosemary—is only one of a great many bean dishes—soups, gratins, purées, and more—that are tastier when their primary flavoring comes after an initial cooking. I sometimes add garlic or herbs or even a bit of onion while the beans are cooking the first time, but I find that good flavor is most prominent when it’s added after the primary cooking. Added flavor can mean anything from a dash of olive oil to a complex tomato sauce, depending on the dish. For example, in the classic Italian dish called fagioli all’uccelletto (which means beans seasoned like a small bird), the cooked beans are simmered in a garlicky tomato sauce with plenty of sage. An example from Mexican cuisine is frijoles refritos, beans which, after an initial cooking, are fried in lard with garlic and sautéed onions, and then mashed. (There are exceptions to every rule, and one that comes immediately to mind is that when something like a ham hock or a prosciutto bone is used to flavor beans, it can be added at the beginning to cook slowly with the beans throughout their cooking.) The beans should be drained of most of their liquid before final flavorings are added. (Save the bean water to make a tasty soup base or to moisten a gratin as it cooks.) Once the beans are ready, stir in the flavorings. Continue to cook them together for at least 10 minutes or so, to allow the flavors to infuse the beans. To make gratins like the one that follows, first sauté onions, carrots, and celery together. To make sure they contribute their full flavor, season the vegetables to taste before adding them to the beans. Beans are very lean and the addition of a flavorful oil or fat makes them taste even better.

Dried beans cook best when soaked for a number of hours. Overnight is best. Cover the beans with plenty of water to keep them from poking up above the surface when they have absorbed water and swelled. I cover them with at least three times as much water as beans. If all the beans were not completely submerged overnight some will cook at a different rate than others and you’ll end up with overdone and underdone beans in the same pot. Drain after soaking and use fresh water for cooking them. All over the world, beans are traditionally cooked in earthenware pots (and for some reason they seem to taste better when they are), but any heavy nonreactive pot will do. Try to choose a wide pot so the layer of beans isn’t too deep; otherwise the beans are hard to stir and the ones on the bottom of the pot get crushed. Be sure to use enough water that stirring them is easy: the water level should always be an inch or so above the level of the beans. If the water is too low, the beans will be crowded and will tend to fall apart when they are stirred. Worst of all they might start to stick and burn on the bottom of the pot. Salt is best added towards the end of the cooking to keep the beans tender. When done, the beans should be tender but not falling apart, though it is better to overcook them than undercook them! You don’t want them to be the least bit al dente, or crunchy. The best way to test them is to bite one. Start testing after an hour. When they are fully cooked, let right away, the skins will crack and they’ll look shaggy. When cooking fresh shell beans there is no need to soak them. Just pop them out of their shells and put them in a pot. Cover with water by no more than about 1 1/2 inches: the beans will not absorb much water. Add the salt at the beginning and begin testing for doneness after about 10 minutes. Depending on the variety, the beans may take as long as an hour to cook, but usually they are done in much less time. Beans can be flavored at the end of their cooking and served right away; or once cooked, they can be cooled, flavored or not, refrigerated (or frozen) in their liquid, and used later.

The simple soup I make most often starts with a base of softened onions to which one or two vegetables are added. The soup is moistened with broth or water and simmered until the vegetables are tender. First, onions are gently cooked in butter or oil until soft and flavorful. A heavy-bottomed pot makes all the difference for this: it disperses the heat evenly, making it easier to cook vegetables slowly without browning. The amount of fat is important, too. You want enough butter or oil to really coat the onions. After 15 minutes or so of slow cooking, the onions will be transformed into a very soft, translucent, sweet base for the soup. Next, add a vegetable, such as carrots, sliced uniformly for even cooking. (Otherwise you will have underdone and overdone vegetables in your soup.) Salt generously (enough for the vegetables to taste good on their own) and continue cooking for a few minutes. This preliminary seasoning and cooking infuses the fat with the perfume and flavor of the vegetables. (The fat disperses the flavor throughout the soup.) This is an important technique, not just for soup but for cooking in general: building and developing flavor at each step before moving on. Now add broth or water, bring to a boil, and reduce to a simmer. Cook until the vegetables are tender but not falling apart. The soup will not taste finished until the vegetables have cooked through and given their flavor to the broth. Keep tasting. It is wonderful to discover how the flavors change and develop as the soup cooks. Does it need more salt? If you’re unsure, season a small spoonful and see if it tastes better with more. This is the only way you can find out. Many, many vegetables will make great soup when you follow this formula. The only variable is the length of time they take to cook. The best way to keep track is to keep tasting as you go. Some favorite vegetable soups that jump to mind are: turnip and turnip greens, corn, potato and leek, butternut squash, and onion. A vegetable soup made this way, with a flavorful stock rather than water, and served as a rustic “brothy” soup, will be delicious. (In fact, if the broth is rich enough, I sometimes skip any precooking in butter and add both onions and vegetables directly to the simmering broth.) If the soup is made with water instead of broth, and puréed to a uniform texture, the result will be a more delicate soup dominated by the pure flavor of the vegetables themselves. This is especially desirable for soups made from such sweet, tender vegetables as fava beans, peas, or corn. I purée such soups through a food mill, but you can also use a blender, which generates finer purées. Do be careful when using a blender to purée hot soup: always make sure the lid has an open vent hole to let the steam escape so that the whole lot doesn’t explode. Various garnishes and enrichments can be added when you serve the soup. Many cooks finish a puréed soup by spooning in a dollop of cream or stirring in a lump of butter, and a last-minute addition of herbs and spices or a squeeze of lemon can be enlivening. But use discretion; a garnish can overcomplicate or overpower the flavor of the soup itself.

Fresh-made, homemade breadcrumbs have some obvious uses: sprinkled over a gratin to form a crust; as a coating for about-to-be-fried meats, fish, and vegetables; and to give a lighter texture to stuffings and meatballs. But in my kitchen they also have a major role as a sort of endlessly versatile crunchy sauce: golden, fresh-toasted breadcrumbs, tossed with almost any chopped fresh tender herb or combination of herbs (parsley, marjoram, thyme) and perhaps a little fine-chopped garlic, and then strewn over almost anything—pasta, vegetables, roasts, salads—as a finishing touch. Recently I’ve started to embellish toasted breadcrumbs with fried herbs. I fry the leaves of herbs such as rosemary, sage, and winter savory in olive oil for a minute (or less), just until crisp and then toss them with the crumbs. Not all breads make good fresh breadcrumbs. Most bagged, sliced, commercial breads—the kinds with preservatives and added sweeteners—simply won’t work: the additives reduce bread’s natural crumbiness and the sweeteners add the wrong flavor and cause overrapid browning. Breadcrumbs are best made from bread that has had a day or two to dry out just a little. Fresh bread has too much internal moisture to make good crumbs. Instead it clumps, forming moist wads of bread instead of integral crumbs. For breading and frying, loaves of fine-textured white bread such as pain de mie or pullman bread make the best crumbs. For toasted breadcrumbs, however, I prefer to use levain bread or another coarse-textured, country-style bread. These kinds of breadcrumbs are different from breadcrumbs made from completely dried out bread, and are totally different from the crumbs sold in boxes at the grocery, which are too fine, don’t taste good, and just won’t work for the recipes in this book. The easiest way to turn bread into breadcrumbs is with a blender or food processor. First remove the crust; it’s too tough and crumbs with crust in them brown unevenly. Cut the crustless bread into cubes and process them in batches. The bread should be thoroughly ground up so the crumbs are more or less the same size; this will ensure even browning while cooking. Crumbs to be used for breading need to be ground very fine, so they will stick to and evenly coat whatever is being breaded. Crumbs to be toasted can be coarse or fine, depending on the end use. When toasting crumbs, toss them first with olive oil (or melted butter or duck fat) and spread them evenly on a baking sheet. Every few minutes or so, stir them with a metal spatula. The crumbs along the edges of the pan always brown first, so mix these in well, moving them into the center away from the outer edges. The crumbs brown slowly at first, because they must dry before they brown, but they finish quickly during the last minute or two of toasting. Keep a close eye on them towards the end of their cooking time to prevent overbrowning. If you find you have more old bread than you can use, turn it into crumbs and freeze them for future use. When there is no dried-out bread and you need to make crumbs, cut thick slices of fresh bread and put them on a baking sheet in a warm oven to dry out slightly before processing.

Minestrone means “big soup” in Italian: a big soup of many vegetables. In order for them all to be cooked through at the same time, they’re added in stages. First a tasty soffritto (a base of aromatic vegetables) is made, long-cooking vegetables are added and moistened with water or broth, and the soup is brought to a boil, at which point the more tender vegetables are added. Dried beans and pasta are cooked separately and added at the end. The recipe below is for a classic summertime minestrone, followed by seasonal variations. The soffritto can be made of onions only but often includes carrots and celery. Fennel can be substituted for the celery when a more delicate flavor is wanted. Garlic is always added at the end of the cooking to ensure that it does not burn. Be sure to use a heavy-bottomed pot and lots of olive oil. For a more hearty soup, let the soffritto cook to a golden hue; for a less robust version, don’t let the vegetables color at all. Either way, the vegetables should be cooked through to give the soup the full benefit of their flavors; this will take 10 minutes or more. They’re done when they look and taste good enough to eat on their own. The vegetables added after the soffritto—such as squash and green beans—are cut into pieces small enough to ensure that each spoonful of soup will contain a mixture. They’re added sequentially, according to the length of time they take to cook through without getting mushy. Greens need to be cut into bite-size pieces, too; if they’re cut in strips they can hang down and dribble hot soup on your chin or your clothes. Winter greens such as kale or chard take longer to cook and should go in with the first group of vegetables. Tender greens such as spinach will cook in just a few minutes and should be added towards the end of cooking. Salt the soup as it cooks; this will intensify and improve the flavor as a last-minute salting cannot. Dried beans—and pasta, if you’re using it—should be cooked separately before being added to the soup. Save the bean cooking liquid; it adds flavor and body to the soup. The cooked beans should be added during the last 10 minutes so they have a chance to absorb flavor, but not overcook. The pasta should be added at the very end so it doesn’t overcook and get bloated and flabby. To preserve its fresh flavor, the garnish of olive oil and cheese should be added to the bowls of soup, not to the pot. I always pass a bowl of grated cheese and a bottle of olive oil at the table.

I wanted to be sure to include a few words about fruit salads—not sweet fruit cocktails in heavy syrup, but savory salads made like other composed salads. These may consist of fresh fruit alone, or fresh fruit combined with lettuces or other salad greens, with nuts and cheese often added for richness and texture. When there are no greens available and I desperately want something fresh, fruit salads are refreshing alternatives, either at the beginning or the end of a meal. Figs, apples, pears, pomegranates, persimmons, and almost all of the citrus fruits make good salads, with or without greens. All these fruits of fall and winter have an affinity for hearty chicories such as escarole, radicchio, and curly endive. Among my favorite fruit salads are an orange salad with black olives; avocado slices and grapefruit sections; persimmons or Asian pears with nuts and balsamic vinegar; and orange slices with marinated beets. Oranges and other citrus fruits need to be peeled and sectioned for a salad. When skinning the fruit, you want to remove all the outer peel and the membranes that enclose the sections, exposing the juicy fruit inside. You will need a small, sharp knife to do this. First, slice off the top and bottom of each fruit, slicing deeply enough to expose the inner flesh. Then, position your knife blade at the top where the fruit and peel meet, and carefully cut down following the contours of the fruit. Continue around the fruit, cutting from top to bottom, rotating the orange, until all the peel and membrane is removed. Trim away any remaining white bits of membrane. You can then slice the orange crosswise or cut between the membranes to free the individual sections. Apples and pears can be peeled or not, but to avoid oxidation, which turns the cut surfaces brown, they should be prepared just before serving. Persimmons must be peeled; this can be done in advance, but keep them covered so they don’t dry out. Fruit salads are usually dressed very simply, sometimes with nothing more than a drizzle of olive oil or vinegar, or with a vinaigrette made of some citrus juice and a touch of vinegar, a little chopped shallot, salt, pepper, and olive oil.

For me, making a garden lettuce salad—washing beautiful fresh-picked lettuces and tossing them together with a scattering of herbs and a vinaigrette—is as much of a joy as eating one. I love the colorful variety of lettuces, bitter and sweet; the flavor and complexity of herbs such as chervil and chives; and the brightness of a simple vinaigrette made with red wine vinegar, olive oil, and a whisper of garlic, which highlights the lettuces and herbs without overwhelming them. For a salad to have flavor and life, you have to start with fresh, just-picked lettuces. I’m fortunate to have a small kitchen garden in my backyard where I grow various lettuces and herbs for salad, but if you don’t have such a garden it can take some real dedication to find good greens. Farmers’ markets are the best places to start. When my garden is not producing, or when I’m away from home, I shop for head lettuces and try to create my own combinations of lettuces, arugula, chicories, and whatever tender herbs I can find. I generally avoid the salad mixes, especially the pre-bagged ones, which usually seem to include one or two kinds of greens that don’t belong with the others. If there is a lovely mixture from a local salad grower, fine, but otherwise try to buy the best head lettuces you can find and make your own mix. Wash the lettuce, gently but thoroughly, in a basin or bowl of cold water. First cull through the lettuces, pulling off and throwing into the compost bin any outer leaves that are tough, yellowed, or damaged. Then cut out the stem end, separating the rest of the leaves into the water. Gently swish the leaves in the water with your open hands and lift the lettuce out of the water and into a colander. If the lettuces are very dirty, change the water, and wash again. Dry the lettuces in a salad spinner, but don’t overfill it. It’s much more effective to spin-dry a few small batches than one or two large ones. Empty the water from the spinner after each batch. Any water clinging to the leaves will dilute the vinaigrette, so check the leaves and spin them again if they’re still a little wet. I spread out each batch of leaves in a single layer on a dish towel as I go. Then I gently roll up the towel and put it in the refrigerator until it’s time to serve the salad. You can do this a few hours ahead. When the time comes, put the lettuce in a bowl big enough to allow you to toss the salad. If you have some, add a small handful of chives or chervil, or both, either chopped quickly or snipped with scissors. Toss everything with the vinaigrette, using just enough sauce to coat the leaves lightly, so they glisten. Beware of overdressing small, tender lettuces: they will wilt and turn soggy. I usually toss salads with my hands. (I eat salads with my hands, too.) That way I can be gentle and precise and make sure that each leaf is evenly dressed. Taste, and if needed, finish the salad with a sprinkling of salt or brighten it with a splash of vinegar or a squeeze of lemon juice. Taste again and see what you think, then toss one last time and serve the salad right away.

A salad of many ingredients, either all tossed together or dressed separately and arranged on a plate, is called a “composed” salad. A composed salad such as the Greek salad that follows is a hearty dish; with some crusty bread, it could be the main event of a dinner on a warm night. Or, a composed salad might be a delicate arrangement of, say, a few pieces of crabmeat, some grapefruit sections, and a little curly endive in a creamy dressing, served as an elegant first course. Almost anything can be an element in a composed salad: all the various lettuces and salad greens, of course, but also raw or cooked vegetables, chopped, diced, or cut into thin shavings; roasted meats cut into cubes or thin slices; tuna and other fish or shellfish; and hard-cooked eggs, quartered or chopped. Tasty leftovers can be delicious in a composed salad. Don’t combine too many ingredients into a single salad or it will have too many conflicting flavors. The components should be chosen thoughtfully with regard to the tastes and textures they contribute, and the dressing must complement them all. Sometimes a vinaigrette works best, when a tangy sauce is needed; sometimes mayonnaise, for mellow richness; at other times, a creamy sauce. A potato salad, for example, can be made with any of these dressings, and each will yield a distinctly different salad. When dressing a composed salad that includes both tender lettuces and heavier ingredients such as artichoke hearts or pieces of fruit, dress all the heavier elements separately and arrange them around the tossed lettuces on a platter. Otherwise the salad is hard to serve because everything ends up at the bottom and the leaves get crushed. Even salads that have no lettuce should be assembled carefully. What’s most important is that each ingredient be tasty on its own. Taste everything and season each element with a little salt or dressing as needed before adding it to the whole. When things are tossed together, don’t overmix, or the parts will start to lose their distinctiveness, muddying the flavors and spoiling the look of the salad. (You can always arrange a salad and drizzle vinaigrette over it, or even pass the vinaigrette in a pitcher.) As for what to include in such a salad and how to dress it, taste each ingredient before you decide. That is really the only rule you must follow, and while it may sound frustratingly vague, as you acquire a little salad-making experience, you’ll begin to recognize and remember the flavors you like and the ones that you like together.

When it comes to making bread, many things affect the outcome, some more obvious than others. Most important is the flour. You cannot make good bread from mediocre flour. Choose flour that is unbleached, untreated, and free of additives. All flours, and especially whole-grain flours, will eventually spoil and taste and smell rancid. Try to buy flour that’s relatively fresh; your best bet is to look for a local organic food retailer with a rapid turnover who sells in bulk. The water makes a difference, too; both its temperature and its quantity influence texture. The type of leavening agent and the length of time bread is allowed to sit and rise will both affect the outcome enormously: quickbreads made with baking soda or powder are tender and almost cakelike, while breads leavened with wild yeast and given repeated slow risings will be the chewiest and crustiest, with the most complex flavors. Weather also affects bread: humidity, heat, and cold each exert their influence. All this makes baking ever-changing and forever fascinating. There is a world of breads: quickbreads such as cornbread and Irish soda bread that are easy to put on the table on relatively short notice; wonderful flatbreads such as tortillas fresh off the griddle or whole-wheat-flour puris that puff up when they’re fried or pita bread grilled over a fire; and the classic yeasted breads of France and Italy—including my everyday favorite, levain bread. Levain bread is leavened with a natural starter of wild yeast and allowed a long, slow fermentation and rising period in canvas-lined baskets. Traditionally, before each batch is baked, some of the starter is held back to leaven the next batch. Rather than give a recipe for a levain-type bread (which is a little complicated to make at home), I offer instead a recipe for a dough that’s versatile enough to be formed and baked as a flat crusty focaccia or a traditional pizza. (Kids love to stretch out the dough and make their own pizzas.)

Salsa verde, the classic green sauce of Italy, is a sauce of olive oil and chopped parsley flavored with lemon zest, garlic, and capers. It adds lively freshness to almost any simple dish. Flat-leaved Italian parsley is preferable, but curly parsley is good, too. Fresh parsley—the fresher the better—is the majority herb, but almost any other fresh, tender herb can enhance a salsa verde: tarragon, chervil, and chives are good choices. Use a sharp knife when you chop parsley (and other herbs). A sharp knife slices cleanly through the leaves, preserving both flavor and color, while a dull knife mashes and bruises them. The zest is the thin yellow outer layer of the lemon’s skin; avoid grating any of the bitter white part (called the pith) beneath. The zest brightens the flavor of the sauce, so don’t be shy with it; you may need more than one lemon’s worth. Don’t hesitate to experiment. I make salsa verde more or less thick depending on what I am using it for. I tend to use less oil when it’s for roasted meats and grilled vegetables and more for fish.

This is the sauce I make most often, and if it’s made out of good olive oil and good wine vinegar, it’s the best salad dressing I can imagine. At its simplest, vinaigrette is a mixture of vinegar and oil in a ratio of 1 part vinegar to about 3 or 4 parts oil. Start by estimating roughly how much vinaigrette you will need. This depends on what you’re using it for; a quarter cup is more than enough for four servings of green salad, for example, but you really never need to measure out exact amounts. Start by pouring the vinegar into a bowl. Dissolve a pinch of salt in it and taste for balance. The salt has a real relationship with the vinegar. When you add just enough salt, it subdues the acid of the vinegar and brings it into a wonderful balance. Try adding salt bit by bit and tasting to see what happens. How much salt is too much? How much is too little? What tastes best? If you add too much salt, just add a touch more vinegar. Grind in some black pepper and whisk in the oil. The vinaigrette should taste brightly balanced, neither too oily nor overly acidic. Adjust the sauce, adding more vinegar if you’ve added too much oil, and more salt, if it needs it.

Velvety, luscious, garlicky mayonnaise—what the French call aïoli (pronounced eye-oh-lee)—is another sauce I use all the time: on sandwiches; with vegetables, both raw and cooked; with meat and fish; as the binder for chicken salad and egg salad; and as a base for sauces such as tartar sauce. Most children, even very young ones, love aïoli and will happily use it as a dip for bite after bite of bread, carrots, potatoes, and even vegetables they might otherwise refuse. Two or three small cloves of garlic per egg yolk, pounded with a mortar and pestle, make a fairly pungent garlic mayonnaise—depending on the garlic. The strength of garlic’s flavor can vary a lot, depending on freshness, season, and variety. I always pound the garlic in a mortar and pestle and reserve half of it, so I can add it later if the aïoli needs it. (You can always add more garlic, but you can’t subtract it.) It’s important to pound the garlic to a very smooth purée so the sauce will be garlicky through and through, not just a mayonnaise with bits of garlic in it. One egg yolk will absorb up to one cup of oil, but you can add less if you don’t need that much mayonnaise. Whisk the oil in drop by drop at first, adding more as you go. It is much easier to whisk when the bowl is steadied. To help hold it still, set it on top of a coiled dish towel. Adding a small amount of water to the egg yolk before you incorporate the oil helps prevent the sauce from separating or “breaking.” If mayonnaise does separate, stop adding oil, but don’t despair. Just crack a fresh egg, separate the yolk into a new bowl, add a little water as before, and slowly whisk in first the broken sauce and then the rest of the oil. Make aïoli half an hour ahead of time, to give the flavors a chance to marry. As with anything made with raw eggs, if you’re not going to serve mayonnaise within an hour, refrigerate it. Aïoli tastes best the day it’s made.

Herb butter is softened butter that has been flavored with herbs. It makes a great sauce for meat, fish, or vegetables, providing lots of flavor for next to no effort. I like it to be really green, full of lots and lots of herbs, with just enough butter to bind them together. Poached fish served with an herb butter made with the classic fines herbes of French cuisine (parsley, chives, tarragon, and chervil) is sublime. Either salted or unsalted butter will do for an herb butter. Just remember to season accordingly when you start adding salt. Lemon juice brings out the flavor of the herbs. The cayenne adds a little zing. Almost any fresh herb can be used. The more tender-leafed herbs, such as parsley, basil, chives, or chervil, should be very fresh and chopped at the last minute. More pungent herbs such as sage or rosemary are tastier when they are chopped and gently heated on the stove in a little melted butter. (Allow to cool to room temperature before adding to the softened butter.) Or, with or without herbs, make a butter flavored with one or two salt-packed anchovies (rinsed, filleted, and chopped), lemon zest, and black pepper, or, for an unusual twist and color, with some chopped nasturtium flowers or hot spicy peppers. Serve the butter as is, soft and spreadable; or put it in a piece of plastic wrap or waxed paper, roll it into a log, chill until hard, and cut it into coin-shaped pieces to put on top of hot food. Any extra herb butter can be frozen and used later.