Make Ahead

Everyone needs one reliable recipe for an old-fashioned drop cookie. This master recipe fills the bill. It’s simple (no machines necessary—the butter can be creamed by hand, though you can use a mixer for ease) and infinitely variable (modify the dough with any of the add-ins listed below, or split it into two or three batches so that you can make more than one type of cookie at the same time). And if you want, you can bake a portion of it, then form the remainder into balls (on baking sheets) and place in freezer until frozen. Store the frozen balls of dough in a resealable bag in the freezer until until you’re ready to bake; let sit at room temperature for 30 minutes before baking, and bake a few minutes longer than the recommended time. These cookies are somewhat cakey; for a chewier texture, reduce the flour by 1/2 cup and the baking time by 2 minutes.

As its name implies, this sauce is extremely versatile—you can brush it on chicken (whole or parts), ribs, steak, even vegetables. A small amount of butter is added at the end for a smooth finish; feel free to leave it out, especially if you’re using the sauce with a particularly fatty piece of meat.

Perhaps the best known cold pureed soup, vichyssoise is a simple puree of potato and leeks that is traditionally enriched with cream; adding a bit of buttermilk along with the cream gives this version a pleasant tangy flavor. Here, leeks serve as both an aromatic, replacing the onion, as well as one of the base vegetables. Garlic is typically not used. The amount of stock or water called for is also reduced, since both cream and buttermilk are added. If making the soup for company, buy an extra leek to prepare the Leek Frisée (page 75) for the garnish.

Many cooks prefer to grill larger cuts of fish rather than smaller fillets, since the extra heft helps to trap in moisture and flavor. This recipe calls for a large piece from a side of salmon to be grilled on a bed of citrus and herbs, which helps keeps the fish from sticking to the grate. Instead of a crisp skin, you’ll get plenty of bright flavors from the aromatics. Use this method to grill other types of fish, too, whether whole sides or smaller fillets (even skinless ones). The herbs can vary; dill, marjoram, parsley, and thyme are all particularly lovely with fish.

The name belies the simplicity of this flavor enhancer, readily made by blending herbs and other aromatics with softened butter. It is most classically affiliated with steaks and chops, but compound butter can be used almost any time in place of plain butter. Try some on poached, steamed, or grilled fish or vegetables; feel free to experiment with different herbs and other flavorings. Compound butters will keep for up to 1 week in the refrigerator or up to 2 months in the freezer (thaw in the refrigerator before using); slip the parchment-wrapped cylinders into resealable plastic bags before storing. Or, chill the logs until firm, then slice off rounds and freeze individual portions. If you plan to serve the butter soon after it’s made, simply scrape it into ramekins or other small serving dishes instead of forming it into a log (cover with plastic and refrigerate until needed).

A specialty of the southwest of France, cassoulet—named for cassole, the oval earthenware dish in which it was made—is a rich, slow-cooked bean stew made with white beans, meats (most often pork and sausages), and duck or goose confit. The dish is time consuming—it can take an entire day from start to finish—but is manageable when you break it into three tasks, which can be spaced out over a few days. The first step is to prepare Duck Confit (see page 232). Next the beans (which have to be soaked overnight) are cooked on the stove. Then the confit and beans are layered in a pot, along with pork and sausage, and baked for about three hours.

This quick and easy stock has many uses in Japanese cooking, including dipping sauces (such as the one on page 336), noodle dishes, and, most commonly, as the base for miso soup. It calls for just two ingredients—kombu and bonito flakes—and water.

The most well-known pea soups are made with green split peas and flavored with pork, but this lively vegetarian version features split peas and Indian seasonings. Though the end result tastes remarkably different from the classic, the method for making any split pea soup is virtually the same; you start by building a flavor base with sautéed aromatics, then add peas and water and cook until the peas fall apart. For split pea soup with ham, you would add a ham hock to the pot along with the peas, but for this version, spices are fried at the end and stirred into the soup to finish—a technique borrowed from many classic Indian dishes.

For true vegetarian soups, stews, and other dishes (such as risotto), vegetable stock is a flavorful alternative to water and meat-based stocks. Some recipes call for the vegetables in the mirepoix to be added to the simmering liquid without first cooking; others call for them to be sweated first, without browning. In this recipe, the vegetables are lightly browned to give the stock intense flavor. The resulting richness and complexity are particularly important when there is no base of flavor provided by chicken, beef, or fish. You can vary the flavor by increasing the amount of garlic, replacing the carrots with parsnips, or changing some of the fresh herbs for others. Or add any of the following: dried mushrooms, such as porcini or shiitake (no more than two or three, since they can be overpowering), a few corncobs, some chopped tomato (seeded, if desired), or thinly sliced leeks. If the stock will be used to make Italian dishes, add a rind of Parmigiano-Reggiano cheese once the water has been added. If making a vegetarian dish with other vegetables, use the scraps to flavor the stock, such as beet greens for beet risotto. But be careful to avoid adding anything that is less than fresh or that has too strong a flavor, such as most cruciferous vegetables (including broccoli, cauliflower, and cabbage).

Fumet is a white stock made from fish bones and aromatic vegetables, which are first “sweated” (cooked until soft but not taking on any color), then simmered in water. That initial step is a crucial building block, eliciting a touch of sweetness from the leek and developing the flavors for the next step, though it will produce a stock with less clarity than when the aromatics are simply brought to a boil with the rest. (To achieve that result, follow recipe for Basic Chicken Stock on page 41, bringing the fish bones and heads to a boil, then adding vegetables, bay leaf, and peppercorns and simmering 30 minutes before straining.) With its concentrated flavor, fumet is ideal for making fish soups and stews, or for steaming shellfish, such as the Clams in Herbed Broth on page 219. Like other stocks, fumet can be altered for different effects. Increase the ratio of bones to water and you will have a stock with more pronounced fish flavor. For a Mediterranean-style stock, chopped garlic and fennel (and its fronds) can be sweated with the other aromatics, then crushed tomatoes, crumbled saffron, and a few parsley stems added and simmered in the pot along with everything else.

Brown stock gets its color—and its flavor—from the initial step of roasting bones and vegetables, often with a bit of tomato paste added to promote browning and impart a caramelized flavor, as well as a touch of acidity. After the contents of the pan are transferred to a stockpot, the pan is deglazed (either with water or red wine) to incorporate all the flavorful browned bits, which then, too, get added to the pot. In classical French cooking, brown stock is made with veal bones to produce a delicate-bodied soup. In the recipe that follows, beef is added for deeper flavor, but you can replace the beef with more veal bones (or veal stew meat) for the traditional version. Brown stock can also be made with chicken (see variation); this would be ideal for using in more robust dishes, such as braised meats. Heed the general rules for making all stocks, including simmering very gently, skimming frequently, and keeping enough liquid in the pot so that everything is submerged at all times. Brown stock is also the basis for other classic preparations, including demi glace and glace de viande (see page 52).

This dark, thick, flavorful reduction adds an inimitable richness to meat stews and braises (one or two cubes is sufficient for boosting the flavor). In classic French cooking, demi glace is made by combining brown veal stock with sauce es pagnol (a veal stock thickened with roux), which is then reduced by half. Because demi glace is rather laborious to make (and a bit heavy for modern palates), so many chefs use this straight reduction of stock (without the espagnol) instead. (Julia Child called it a “semi-demi glace.”) This simplified method results in a lighter-bodied sauce, or glaze. To make glace de poulet, substitute veal stock with brown chicken stock.

We pickle Fresno chiles (also called red jalapeño peppers) for the pasta dish Fiorentini with Guanciale, Tomato, and Spicy Pickled Peppers (page 203). It seemed silly to have you pickle just enough peppers for one dish, since they will keep, refrigerated, for at least several weeks and probably much longer. Slice the peppers and add them to grilled cheese or sliced meat sandwiches, or use them in place of the roasted peppers on the pizza with White Anchovy, Tomato, and Spicy Fresno Chiles (page 139) or the Spicy Salami, Mozzarella, and Fresno Chiles pizza (page 140). If you can wait, the peppers are even better a few days after you make them.

The first lesson in stock making is also the simplest: everything (bones and aromatics) is covered in a pot with water and gently simmered, yielding a stock with a pure, clean flavor. This technique can be applied to making stock with chicken, meat, fish, or only vegetables. Of these, no stock is more versatile and flexible than white chicken stock, which is flavorful but not overpowering, lending itself to a vast array of uses: white sauces, such as velouté; any number of soups (it is the default choice for many); and many stews and braises, among other dishes where there are layers of flavor (think risotto). White beef stock is equally classic, and a better option in dishes such as Wine-Braised Short Ribs (page 188). For this stock, there are several ways to alter the outcome, depending on how it will be used. The longer the stock simmers, the stronger it will taste. Simmer for 1 1/2 hours for vegetable soups or other delicate dishes (including white sauces), longer for more robust sauces and soups. To give the stock a more pronounced chicken flavor, add 1 1/2 pounds chicken thighs along with the other parts (take them out of the pot as soon as they are done if you plan to reserve the meat for another purpose, returning bones to pot after removing meat).

We use this dough to make all of our filled pasta shapes such as Fresh Ricotta and Egg Ravioli with Brown Butter (page 175) and Francobolli di Brasato al Pomodoro with Basil and Ricotta Salata al Forno (page 177).

It’s very traditional to use ortiche, or “nettles,” to make green pasta such as this one. Despite the fact that they are often called “stinging nettles,” they don’t really sting, but they do have a bristly texture that can irritate your skin. If you wash them first, they won’t bother you as you pick the leaves off the stems. Another solution is to wear thin rubber gloves. If you can’t find nettles, spinach is an acceptable substitute. In either case, the greens have so much water in them (no matter how much you try to squeeze it all out) that we use very few eggs in this dough.

This is the Basic Pasta Dough with the addition of squid ink. The ink makes the pasta black and also infuses it with a subtle seafood flavor. You may want to wear plastic gloves while making this pasta; otherwise, the black ink will stain your hands for days. You can buy squid ink or cuttlefish ink at Italian and specialty food stores; if you can’t find it, you can’t make this dough. Use a quality store-bought squid ink pasta, preferably fresh, instead.

Orecchiette, meaning “little ears,” are small dome- shaped disks. They are the most common shape in Puglia. They’re used in many regional dishes there, including the one that inspired our Orecchiette with Fennel Sausage and Swiss Chard (page 180). Although this shape doesn’t look as intricate as some of the others, it is one of the most difficult to shape, which is probably why so few restaurants make their own. Following our instructions, you can’t fail. To get the desired texture on the surface of the pasta, we suggest you use a plastic cutting board. At the Osteria, we use a wooden cutting board that has been deliberately scored with a knife, which gives the orecchiette the texture we want.

Maltagliati means “badly cut,” and is so named because the pieces are cut from the sheet of dough in random shapes. In order for us to ensure that the pasta cooks evenly, however, ours only look randomly cut but are actually all cut to the exact same shape and size.

Chitarra means “guitar” in Italian, and the shape, a specialty of Abruzzo, gets its name from the device with which it’s made—a wooden frame strung with metal wire like a guitar. The way it works is that a sheet of pasta dough is pressed down onto the strings, which cut the sheet into long, square spaghetti-like strands. We make chitarra alternately this way and by cutting the sheets with a long knife.