Summer

Six hundred years before Christ, the Greeks raised up a grand colony on the verges of the Mar Tirreno, dedicating it to Poseidon. Now known as Paestum, the whole cadence of life, as it was then and there, sits in high relief, a phenomenal diorama, traceable, floating, gleaming. The great temples, barely wounded and without a haunting, invite one inside to stay among the rests of old dreams, to race among the open pathways between them. A cordial parish, a fair Camelot, it seems, while one sits awhile on the thick tufts of grass inside the Temple of Neptune, having slipped under the easy gate to watch the sunrise, to collect armfuls of the tall, thin spears of asparagus that grow wild, treasures to take back to Alfonso to cook for lunch. He, having spent the morning gathering clams, combined the collected booty with fusilli di Felitto—beautiful pasta, hand-rolled then wound, one string at a time, around the traditional, corkscrew-shaped wires, used and prized like jewels, by the women of the nearby village of Felitto. Dishes that marry wild vegetables with sea or shellfish are typical of the Cilentini, they thinking it a thing natural to prepare their suppers with stuffs foraged from woods that fall down to the sea.

One must have a lemon tree or some harmonious acquaintance with someone who has a lemon tree, know a florist or a fruit seller who can procure untreated lemon leaves, or one can let go the idea of the lemon leaves and trump up alternate ones, such as those pulled from a grapevine or a chestnut tree. Lacking all of these, one must know how wonderful the dish will be with no leaves at all, just for grilling the fat prawns, beheaded but with their tails intact, over a good wood fire, then heaving them, all hot and sputtering, into an anise-perfumed bath. Though the lemon leaves, if they’re good and fresh, do add some flavor and keep the prawns moist during the roast, they are, in the end, only a pretty and clever sort of packaging.

The town of Scanno is bedded quaintly on a valley floor near the tortuous Gole del Sagittario—a mountain road called the “Throat of Sagittarius,” on the fringes of the Parco Nazionale degli Abruzzi, a national park and nature reserve. Bespeaking eloquently its Late Renaissance and Baroque past, its little streets and alleyways are warmed by artisans working in gold and silver and lacemakers with their small wooden hoops. The women—many of them, rather than only an archaic few—toddle through the enchanted tableau of the old village on Sundays garbed in long black skirts that rustle their arrival, their hair swept up in gorgeous and ornate headdresses of lace and velvet, their arms comforted in black woolen capes. Theirs is no quaint, historic burlesque. They are wearing the clothes that please them, that are faithful to their images of themselves, that honor their heritage. They are at their ease. A poetically costumed nonna (grandmother) admonishes her young grandson—in jeans and a T-shirt, his hair falling in soft brown curls below his shoulders—to be neither late nor in a hurry for Sunday dinner before she disappears through the small, humble portal of her home. Scanno, if one watches her carefully, will give view to a life inviolate. And these are her traditional biscuits, all chewy and full of spiced Renaissance perfumes and savors, lovely with good red wine, especially when it’s warmed and spiced with pepper and cloves, or, in summer, a little goblet of sweet, iced moscato.

The cooling green tint of the sauce, its reserved, sensual sort of piquancy, make this a pasta good for high-summer lunch or supper after insalata di cantalupo (see page 22).

Should there be, one day in your life, both a handful of still-warm-from-the-tree ripe figs and the juice-dripping flesh of a melon, go quickly to find leaves of mint, some good green olive oil, and the juice of a lemon to make this little salad. Use only flawless components and arrange them for someone wonderful with whom to rhapsodize over it. You might, then, need heady, appropriate conversation. You could choose to speak of Platina—one Bartolomeo Sacchi—the Vatican librarian and author, in 1475, of Platine de Honestate Voluptate. The work’s argument concerns the history of Roman cuisine and was the first officially published cookbook since those written during the Republic. Or you might want to chatter a bit about Cantalupo in Sabina—the Singing Wolf of the Sabines—once a papal garden property outside the Roman walls where a strain of tiny, orange-fleshed melons were cultivated, they, no doubt, being the precursors to those we call cantaloupe. Perhaps you might choose not to speak at all, thus distracting nothing from the sweet little figs.

These are Rome’s other artichokes. Softened rather than crisped in their oil bath, they are of an extravagant goodness.

It was nearly eleven on Saturday and Fernando was standing under the open roof in the rain, tender, silvered glissades of it plashing quietly, as it has for two thousand years, onto the black and white marble of the temple floor. He, not minding, stood directly in the puddle, its depths caressing the tops of his shoes, looking up at the sky like a child in wonder, the water settling in fine mists on his cheeks and eyelids. He turned fifty that morning in the Pantheon. His spiritual birthday thus celebrated, he pronounced that his carnal festival was to be solemnized in not less than six of his preferred ostarie/trattorie/ristoranti. Fernando wanted to eat artichokes. More, he wanted an artichoke crawl—a critical journey up and down the vicoli (narrow streets), an earnest search for great, golden-green, crisped Roman roses—as many of them as he might vanquish in a day and its evening in a half dozen genuine houses—we were in search of the one perfect carciofo alla giudia. Ten years ago, I might have propelled him into the arms of the trattoria da Giggetto, when I was still convinced of the authenticity of its cooking. Sidled up as it is to the edge of the Portico d’Ottavia, perhaps it was only the taberna’s majestic old neighbor that wooed me. Fernando had his own ideas. At midday, we made quick aperitivi e antipasti visits to Arancio d’Oro in Via Monte d’Oro and La Campana in Vicolo della Campana, taking only one or two artichokes and a glass of white wine. We would settle in at Agata e Romeo in Via Carlo Alberto for a proper lunch that would start with another of the little beauties. The evening’s gallop would open at Tram Tram in Via dei Reti before a stint at Il Dito e la Luna in Via dei Sabelli, where we would crunch on more fried thistles. Our palates veneered in stainless steel, our bellies convulsing, plumped, we brushed sea salt and crisp freckles from our lips and our chests and stepped at last inside the dimmed sanctum of Piperno in Via Monte dei Cenci. Murmuring something to our waiter about not having much appetite, he assured us that he would carry to us only those plates that could titillate a dead man. He started us with a salad of puntarelle—a thick-bladed wild grass collected in the Alban hills— glossed in sauce of anchovies. Then came the misty comfort of stracciatella, chicken broth scribbled with a paste of egg and pecorino. Expert by now, able to whiff their very presence from twenty meters, we knew then the artichokes were only moments away. He set them down, clucking over their beauty, assuring us their salty vaporousness would coax our hunger. He was right. We continued with la coda alla vaccinara—oxtail stew—abbacchio—roast suckling lamb—a few crumbles of a hard, piquant pecorino pepato—peppered pecorino—a soft brown pear, and sealed it all with a great fluff of roasted chestnut mousse that we ate with small silver spoons.

In so many American childhoods, cherry pie is a gloppy, cloying, Day-Glo affair. As a chef, I’m expected to disdain such things now, and, officially, I do. But I’ve always loved cherries. This Italian cherry and almond tart is everything a bad cherry pie is not: flaky, buttery, and sophisticated, with a filling the color of darkest rubies. But if someday, when cherries are long out of season, you happen to see in a corner booth at DuPar’s Coffee Shop someone who looks like me, wolfing down a slice of all-American diner pie, wearing dark sunglasses and a stain that looks suspiciously like Red Dye #40, well, keep it to yourself. Even chefs have fond memories of their misguided youth.

When I was growing up, my dad and I had an ongoing asparagus arrangement: I would cut off the tips of my asparagus spears and trade them for his ends. While most asparagus eaters like the tender tips best, to this day I still prefer the fibrous-textured stalk and would happily swap tips for ends if anyone offered. In this simple first course, asparagus is grilled, then layered with prosciutto and dressed with mustard cream. I hope it’s delicious enough to disappear before your guests have a chance to debate which end is better.

The stated purpose of my junior year abroad was to study at the famous London School of Economics, but the first thing I did when I got to England was land a part-time job at the Roux brothers’ (also famous) restaurant, Le Mazarin. Of all the challenges of living abroad, I never thought I’d have a problem finding something decent to eat. Boy, was I wrong. While the food we served guests at Le Mazarin was topnotch, staff meals were a different story. Stripped chicken carcasses, limp vegetable trimmings, and, if we were lucky, a box of just-add-water mashed-potato flakes were the components of just about every meal. The rest of London wasn’t offering many great options either at that time. Fish and chips and heavy pub fare dominated the food scene in the late eighties, before Britain’s culinary renaissance. The one thing I found worth eating (and could afford on the £10 a week my job paid) was scones with clotted cream and strawberries. And that’s exactly what I ate, for 6 straight months. After so many meals of strawberries and cream, it’s a wonder that I still love that combination. Panna cotta (“cooked cream”), a silken, eggless Italian custard, is an easy-to-make complement to perfectly ripe berries. I’ve added crème fraîche to the traditional recipe to balance the strawberries’ sweetness with some tang. You can make the panna cotta in individual ramekins and unmold them just before serving or make it in a large gratin dish and spoon it out at the table family-style.

This dish offers an opportunity to showcase the great variety of citrus that farmer Peter Schaner grows for us this time of year: pomelos, Oro Blancos, grapefruits, mandelos, tangelos, clementines, and blood oranges. When making the vinaigrette, choose the juice from the oranges and tangerines rather than that of the grapefruits (too bitter) or blood oranges (too dark in color). You’ll have more juice than you need for the vinaigrette, so you can pour the leftovers into a chilled glass and sip it as you finish making dinner. (Vodka is optional.) As for the avocados, look for Reed, Hass, Fuerte, Pinkerton, or Bacon varieties. The olives may seem like an odd addition to this dish, but their brininess contrasts wonderfully with the fresh, juicy citrus and the buttery avocado.

Earthy, sweet beets and tangy, juicy tangerines were meant for each other. I’m just the hungry matchmaker. I set them up on an exotic date with a splash of fragrant orange-flower water and ribbons of mint. Not only do they taste delicious together, they also make quite a stunning couple.

When I was growing up, apples seemed so bland and boring—I could never get excited about a mushy Red Delicious the way I could a summer peach. But today, thanks to small farmers around the country like Barbara and Bill Spencer of Windrose Farms, we have a lot more choices where apples are concerned, and a lot more to get excited about. Determined to revive the disappearing heirlooms, the Spencers painstakingly planted more than forty varieties of apple trees on their farm in Paso Robles, California. It took 6 years for the trees to produce, and that glorious fall, when Barbara turned up at the back door of Lucques with boxes and boxes of their impressive crop, I was blown away. The apples looked dazzlingly beautiful and tasted even better. From russeted emerald greens to mottled pinks to deep burgundy-blacks, we sampled our way through them all, picking our favorites and taking note of which were better raw and which were better cooked. Some of our favorites for eating out of hand were Braeburn, Arkansas Black, and Gernes Red Acre. Crisp, sweet, and tart, these revelatory fruits were the inspiration for this fall salad. And if it’s not enough that they’re growing all these beautiful heirloom apples, Barbara and Bill also grow some of the best Asian pears I’ve ever tasted. Juicy and delicately perfumed, they’re a fun surprise, sliced and tossed with the apples, buttermilk, mint, and radicchio in this thirst-quenching salad.

This is the dish to make in the middle of the summer when heirloom tomatoes are everywhere. I can think of few more satisfying things to eat. Bottarga, considered the caviar of Sicily, is a delicacy made by drying tuna or mullet roe in the sun until it forms a dense, rust-colored block. Here, it’s shaved and tossed into the pasta, adding a deep oceany essence and salty-savory contrast to the sweet summer tomatoes.

This early fall medley was made famous by the legendary Richard Olney, whose books brought the south of France to kitchens all over the globe. In his recipe, the prosciutto is julienned, scattered over figs, and drizzled with a crushed-mint cream. In this version, I add melon, and instead of thin strands of prosciutto, I drape whole slices around the fruit to create a layered antipasto. There’s no right or wrong type of fig for this dish; as long as they’re super-ripe, luscious, and oozing, they’ll work beautifully. If you have the luxury of choosing more than one variety of fig, such as Genoa, Adriatic, or Honey, this is a spectacular way to show them off. The same rules apply for the melon: just pick the sweetest, most perfumed one you can find.

My father hated salad. I remember him saying, “The only salad worth eating is one with green beans and foie gras, because it’s not all mucked up with lettuce.” And yet, somehow, I grew to love salads, especially the kind with leafy greens. This lettuce-free, classic steakhouse salad, made with first-of-the-season Early Girl tomatoes, sweet young red onions, and slabs of potent Roquefort, is a tribute to my dad, who I know would approve.