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It may seem crazy even to think of making a cassoulet for oneself, although this one may be large enough to share with a friend. But if you have all the different elements, it’s not much more than an assembly job. You just have to think ahead. So, when you have that Small Roast Pork Tenderloin (page 42), set aside three or four little chunks of the flavorful cooked meat (they can be frozen and labeled “for future cassoulet”). Then plan on having Braised Shoulder Lamb Chops (page 48), which is always more than I can eat in one sitting, and use that extra braised chop (it can also be frozen), along with a lot of the good juices, to be the mainstay of your cassoulet. One can usually get a good pork sausage these days; even if you have to mail-order it, it’s a staple item worth keeping in the freezer. So there you are: start your beans the night before, and put this heavenly bean dish together on a wintry day off, letting it fill your kitchen with its tantalizing aromas. You won’t regret it. When I suggested to Julia Child that she include a recipe for this great dish in Mastering the Art of French Cooking, there really weren’t any good fresh garlic sausages available to buy, so Julia agreed that she had better work out a formula for making them at home. Several days later, I went up to Cambridge, Massachusetts, where the Childs lived, to work on the book with her, and I found that one wall of the kitchen was covered in notes on the work she had done to develop a formula for the authentic garlic sausage for cassoulet. Her research had taken her back to early French charcuterie books, and she’d made notes on each of her testings, ending up with her own carefully worked-out recipe. I gasped at her meticulous research, and then asked tentatively if maybe this might not be beyond the reach of the American home cook, but she reassured me. “No, not at all,” she said. “It’s really as easy as making hamburgers.”

I’m sure every cook who loves Italian food has a special recipe for osso buco. But I’m not so sure that anyone has a recipe to serve one, because it’s not the sort of thing you make for just one person. But it’s simple to reduce. The crucial factor is the pot; you need that heavy 4-cup pot with its own lid, so that your shank piece just fits into it and the liquid level stays almost to the top of the meat while it is simmering. That way, you don’t require too much cooking liquid, and the flavor develops intensity. I sometimes make this on a Saturday afternoon, when an Italian opera is playing on the radio, and just hearing the singing and smelling the osso buco as it perks away on the stove heightens my anticipation of a lovely meal to come.

I adore sweetbreads, but, alas, they are becoming increasingly hard to get. So, whenever I see a package of them in the supermarket, I snatch them up and give myself a treat. I’m apt to vary the aromatics, but basically the technique is the same. If you do all the preparation in the morning, or even the night before, the final sautéing with just the right complementary flavors takes about 15 minutes. And when you have your first bite, there is something so deeply satisfying about the tender creamy texture of sweetbreads, and their ability to absorb and transform the aromatic flavors you give them, that you feel a small miracle has taken place. No wonder they are called sweetbreads.

As a child, and well into adulthood, I was allergic to scallops. But little by little I got over it. It can happen; the body does change. So I’ve been making up for my years of deprivation and quite often treat myself to a full plate of carefully cooked sea scallops. I remember Julia Child emphasizing how important it was to use a large pan, so the scallops would have plenty of space to brown. And because they needed to cook over high heat, clarified butter was essential. We were once having lunch at an elegant French restaurant in New York, which will be nameless, and Julia ordered scallops. After her first bite, she put down her fork and proclaimed that the chef hadn’t used clarified butter. As she tucked away most of the flawed dish, she emphasized again the importance of using clarified butter when browning over high heat, although she did admit that most Americans aren’t going to take the trouble to clarify their own butter, and that it was okay for the home cook to use half butter and half light vegetable oil, which would temper the burning. I am always careful to watch the pan, as if Julia is still looking over my shoulder, whenever I make this dish.

Soft-shell crabs are one of the great luxuries of spring. They may be expensive if you’re feeding them to a crowd. But just for one person, why not treat yourself ? If the soft-shell crabs are good-sized, I’ll eat only two, but I prefer the small ones and can devour three easily along with a spring vegetable. I usually buy them from a fishmonger at the end of the day. That way, he can do the killing and the cleaning, because they will be popped into the pan as soon as I get home.

I had never cooked with sorrel until I worked with André Soltner on his Lutèce cookbook. He was then the devoted chef-owner of the restaurant, on East Fiftieth Street in Manhattan, but he never forgot his roots in Alsace. There, leafy green sorrel is common, and its tart flavor accents any number of dishes. So it was not surprising that when André was developing a sauce for that quintessential American specialty, shad roe, his secret ingredient was sorrel. However, sorrel was not so easy to find in markets in those days, and André would have to bring an armful of handpicked sorrel from his own garden in the Catskills down to the Lutèce kitchen, so as not to disappoint his loyal customers. Later, when my husband and I bought our summer place in the Northeast Kingdom of Vermont, we discovered that wild sorrel grew abundantly in the surrounding woods and in the garden. I even planted a cultivated variety to make sure we had enough, and I soon dubbed sorrel, along with gooseberries, the lemons of the North. And now that Lutèce is no more, and I can’t enjoy a lunch there, I celebrate this spring delight by making myself André’s delectable shad roe with sorrel sauce.

I prefer using French lentils here, but any kind will do. You can use leftover cooked lentils, but if they are refrigerator-cold, heat them and let them absorb the flavors. I like to eat this salad slightly warm, or at least at room temperature.

This dish evolved when I had a good-sized holiday turkey left in the refrigerator. Somehow no one ever wants the wings. They’re too big to gnaw on politely at the table, and the meat is hard to carve delicately into slices for sandwiches later. So they sit in the fridge, getting drier each day. But don’t let that happen, because they make very good eating for one or two when they are properly reconstituted. And I found that well-flavored dried beans did the trick.

This dish has much of the flavor of a cassoulet but is considerably simpler, because it uses ready-cooked duck-leg confit, which is obtainable today in most good markets and can also be ordered online.

Recently I’ve discovered an imported 1-minute polenta that works very well. So try it, and you can whip up a satisfying polenta supper in about 15 minutes.

Here’s a dish I concocted when I had some leftover rare lamb from a roast. I had stripped most of the meat from the bone, but there was enough still clinging in the crevices to make a meaty broth, so I put the meat and the bone in a pot with an onion and a carrot, poured cold water over, and let it simmer for an hour or so. It made about 5 cups of lamb broth, most of which I stored in the freezer.

This recipe is inspired by one that Marion Cunningham created for her book Cooking with Children, when she found that the youngsters in her cooking class didn’t have the patience to stir and stir for 40 minutes. It makes a satisfying supper the first time around, and my version allows you to be flexible with the vegetable embellishments, so you use up some of your leftovers. If you want to have the treat of a delicious crispy polenta cake to enjoy later in the week, increase this recipe by adding an additional 1/4 cup polenta and 3/4 cup more warm water so you’ll have that extra polenta to grill or fry

Something to make when you have some leftover roast or shanks, this is a meal-in-one dish that can be eaten right from the individual small casserole dish it is baked in.