Main

An hour after leaving Dijon, I was lost. A tangle of lanes, endless vineyards, and a low mist left me confused and desperately looking for a farm at which to ask for directions. It wasn’t the most poetic of farmyards, but there was dry mud and clean straw underfoot and tight bales of hay on which were perched a hundred or more fat, round pumpkins soaking up the late-afternoon sun like a group of ladies in a Beryl Cook painting. I whistled and called without reply; not even a dog barked. As I waited, the pumpkins seemed to be watching me, growing faintly malevolent in the fading golden light. I felt like a lost child in a haunting fairy tale. Whether it was the watching fruits or the deserted farm that spooked me, I got back in the car and left as fast as I could. Thirty years on, I think of them in an altogether friendlier light, but they are still what I want at Halloween and on Guy Fawkes’ Night. I came up with this modern take on the classic sausage and mash a year or two ago in an attempt to pacify a herd of boisterous and hungry kids that descended on me one October. It worked.

Marrying textures and tastes to one another is one of the most satisfying pleasures of cooking: the soft with the crisp, the steamily hot with the icily cold, the spicy with the mint cool. I somehow had a feeling that crisp crumbs might work well with the soft, collapsing flesh of a squash. They do, but are more interesting when the crumbs are not packed on top like a crumble but lightly scattered over and between the pieces of squash.

Two of these cheese-and-potato cakes are ample for a main course with maybe a spinach or chicory salad to follow.

This is my version of the Spanish omelette, being lighter, crisper, and more studded with herbs than the norm. The point here is that you can mix the herbs to suit your taste. Tarragon and mint are a must for me, but any of the more unusual herbs is worth using too: chopped sorrel leaves, salad burnet, lovage, or any of the lesser-known basils. Because the herbs are only lightly cooked in this recipe, their flavor will stay true.

A sweet-sharp salad with a creamy dressing. Avoid the temptation to overmix the salad, as the beets are inclined to send everything a very unfetching shade of marshmallow pink.

A beautiful marriage of textures, this: creamy salt cod purée and crisp potato skins. As baked potatoes go, this is a lot of work, and much washing up too, but the result is worth the trouble. Salt cod is not easy to track down; Spanish, Italian, and Portuguese markets and major supermarkets are your best bet. The recipe makes rather too much filling, but it is not worth dealing with a smaller quantity of salt cod. There’s no hardship anyway—simply keep the leftover purée in the fridge and eat it the next day with fingers of hot toast.

Baking a big piece of meat or a large fish on top of a layer of potatoes is a reliable way of ensuring they stay moist. The juices from the roast are soaked up by the potatoes, making sure that not a drop of flavor is wasted. Large fish such as sea bass and sea bream can be cooked in this way, as can Cornish mullet. Line-caught, ocean-friendly sea bass is not too difficult to find. I reckon on a 2-pound (1kg) fish being enough for two.

Peppers, the red, collapsed horns in particular, are heavily linked with Hungary and its rust-colored stews. The Hungarians make ground paprika from them too, which has become their most famous culinary export. Despite their South American origins, Hungary is where I have found the most dazzling displays of peppers in the markets. Two minutes, even less, from the river and the Szabadsag Bridge, Budapest’s market stalls glow deep rust and gold with tins of paprika and strings of dried mahogany chiles. I love the crumbling wooden stalls of scarlet-capped mushrooms with their stray pieces of iridescent moss, wicker baskets of black sloes, and small sacks of red berries, and the apparently precarious piles of peppers, Christmas red, clean white, and burnt orange turning scarlet. The long peppers that curl back on themselves have the intrigue of Aladdin’s lamp but are awkward in the kitchen, tending to tip their stuffing out into the baking pan. You can roast them, though, with olive oil and lots of salt, and eat them with sesame bread torn into chunks. The most useful, called Gypsy and the size of a fat rodent, are perfect for stuffing: with spinach and cream; translucent onions, capers, parsley, and garlic; cracked wheat, green olives, and toasted pine nuts; ground lamb and cumin. But mostly they are baked with a shake of the olive oil bottle and a grinding of salt until they collapse, wrinkle, and melt into silken strips. You’ll need bread then, in fat, rough chunks, and maybe a glass of bright beer. From August to the close of the year is when the market has the most from which to choose. After that the peppers come dried, in long strings of tobacco, madder, and soot. They shouldn’t be despised. By then the stalls are mostly piled with roots and cabbages, endless sausages, and wholesomely fatty pork. The paprika stalls, stacked with red and gold tins, are kitsch in a Hansel and Gretel way, their shelves covered in fastidiously ironed lace, like the old women who run them. Gulyas, or goulash, means “cowboy” and was traditionally cooked over an open fire. My paprika-scented pork stew—you could use beef-departs not too radically from the classical dish. I include dried mushrooms and cook it in a low oven, giving it a particularly deep, smoky flavor.

As much as I like big flavors, I sometimes want something more gentle, a little genteel even. French beans lend themselves to such cooking.

The deep sweetness of a roasted pepper makes it a suitable candidate for an exceptionally savory filling. I have tried several over the years: beef with cinnamon and tomato; minced chicken, lemon, and chiles; and more recently mozzarella and cherry tomatoes. Each had its merits, especially the latter with its tart juices. The latest manifestation of the stuffed pepper in my kitchen is one of highly seasoned ground pork with rosemary, Parmesan, and garlic. I think of it as the best yet.

Rice has for centuries been the obvious contender for stuffing a pepper—and indeed eggplant or a beefsteak tomato—flavored with caramelized onions, golden raisins, and musky raisins, and seasoned with capers, anchovies, cinnamon, or cumin. Small grains—cracked wheat, brown rice, the underused quinoa—are eminently suitable fillings, as is any type of small bean, lentil, or the plump, pearl-shaped couscous known as mograbiah. Vegetable stuffings can set the pepper alight. Piercing, cherrysized tomatoes, such as Sungold or Gardener’s Delight, or chunks of sweet steamed pumpkin offer more than just jewel colors to lift the spirits. They have a brightness of flavor very different from the humble, homely grains. They offer a change of step. A few hand-torn chunks of mozzarella and some olive oil will produce a seductive filling. Ground beef, the knee-jerk filling, somehow makes my heart sink. Mograbiah, sometimes known as pearl couscous, takes the idea on a bit, having the comforting, frugal qualities of rice but possessing an extraordinary texture, poised between pasta and couscous. Made of wheat and similar to Sardinian fregola, it is available at Middle Eastern markets.

Anyone who has shelled a bag of peas will know how good they are raw. Far too little is made of their scrunchy sweetness, and I put forward the pod-fresh raw pea as an idea to throw into salads of pale yellow butterhead lettuce, cracked wheat, or dishes of cooked fava beans. They work in their uncooked state only when very young and small. Old peas are mealy and sour. One rainy lunchtime in June, I put them into a simple salad of Peter Rabbit lettuce, crisply cooked smoked bacon, and hand-torn ciabatta. The result—restrained, refreshing, and somehow quintessentially English.

It’s mid-June and I have returned home with four lamb steaks. It’s the sort of thing I buy when my mind is elsewhere. I think I was after a “nothing-special” lunch of ease and straightforwardness, yet once the steaks and their fine frame of white fat had been brushed with olive oil and the leaves and flowers of thyme, and were sizzling on the blackened garden grill, I realized I had an extraordinary treat on my hands. Instead of a mound of petits pois at the lamb’s side, I blitzed the peas to a smooth purée with mint and melted butter.

Midsummer is a time of extraordinary activity in my garden. Every day brings with it a new shoot, a newly opened rose, a froth of lettuce seedlings. At this point I make a soup of the older lettuces and peas, and yet there is no reason why I shouldn’t make it throughout the year with frozen peas and produce-market lettuce.

Among the charcoal and garlic of midsummer’s more robust cooking, a quiet salad of palest green can come as a breath of calm. Last June, as thousands joined hands around Stonehenge in celebration of the summer solstice, I put together a salad of cool notes: mint, fava beans, and young peas—a bowl of appropriate gentility and quiet harmony.

At the top of the garden, past the sunny stone terrace, the little beds of vegetables and the unruly shrubs, is a thicket, less than ten feet (three meters) deep but just enough to give the whole garden an unkempt, relaxed feel. Here lie the compost bins with their lids of rotting carpet, green plastic bags of decaying leaf mold, and four small trees of damson, hazel, mirabelle, and a King James mulberry—the latter being a “guardian” tree planted in the northernmost corner to protect the garden from the north wind. In between grow drifts of snowdrops, wild garlic sent by a friend from Cornwall, and fraises de bois, with which this garden is littered, and whose flowers twinkle like tiny stars in spring. The work in this part of the garden is mostly done in winter, if only because the leaflessness of the trees makes it possible to see what you are doing. It is always dark and cold here, and damp, too. I come in from turning the compost or cutting hazel twigs with my feet like ice, my fingers numb. Invariably it’s a Saturday, when I have been early to The Ginger Pig for my sausages. I leave them to bake with parsnips and stock. A slow bowl of food, which often sits patiently until I come in, too chilled to the bone to do anything but eat.

The kormas of India, serene, rich, silken, have much in them that works with the sweetness of the parsnip—cream, yogurt, nuts, sweet spices. The Mughal emperors who originally feasted on such mildy spiced and lavishly finished recipes may not have approved of my introduction of common roots but the idea works well enough. Despite instructions the length of a short story, I can have this recipe on the table within an hour. For those who like their Indian food on the temperate side.

Dried porcini are expensive, but even a small handful added to a soup will bring with it a wave of smoky, almost beefy notes. A general instruction with parsnip soup is to prevent the vegetables coloring, presumably to keep the soup pale, but I suggest the opposite. You want the parsnips to cook to a gentle golden color before you add the stock; that way the soup will have a deeper flavor and a color reminiscent of heather honey.