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If you love octopus, this dish will satisfy your cravings. Just be sure to allow enough time for the octopus to become fully tender. (You can also use squid, which will cook much more quickly.) This dish employs the unusual but excellent technique of completing the cooking of the pasta in its sauce, something done throughout Italy.

Fresh porcini make the base of an incredible pasta sauce but cost at least twenty dollars a pound, if and when you can find them. Portobellos, which are cultivated, not wild, are sold at every supermarket every day at prices ranging from four to ten dollars a pound, and they’re consistent in quality. And if you cook them slowly in oil, adding a few reconstituted dried porcini as they cook—a technique popularized by Marcella Hazan—the results are wonderful. This mushroom topping is also great with nice, soft polenta (page 529).

I love filled pasta, but I rarely have the time or energy to make it. So, when I became enamored of pasta con zucca—a raviolilike affair stuffed with the Italian equivalent of pumpkin—I created this alternative, which is not quite as elegant but tastes just as good. If you cannot find a small pumpkin—the only kind whose flesh is dense enough for this dish—use butternut squash. Peel either with a paring knife; their skins are too tough for vegetable peelers.

There are several types of pasta sauce based on walnuts in northern Italy, including the one on page 550; this is among my favorites. It also happens to be the easiest. If you like, you could throw in a tablespoon of capers, too.

This is a simple preparation that can serve as a side dish or main course (add some cooked sausage if you like) and can be made with any dark green, from spinach to collards to turnip or mustard greens. It needs no cheese.

Cabbage, when it begins to break down, becomes quite creamy, and that’s what makes this dish somewhat unusual. This will be stronger tasting if you use plenty of black and red pepper, olive oil, and pecorino or quite mild if you start with butter, reducing the black pepper, eliminating the red, and finishing with pecorino. You can also make it far more substantial; see the variation.

The sweet, familiar combination of pine nuts and currants offsets the mild anise bitterness of fresh fennel here. Omit the pasta from this Sicilian sauce and you’ll have a good vegetable dish. If you can find the herb fennel (those living in southern California can find it wild, and many gardeners use it as an ornamental), use a few of the feathery parts of its stalks in place of the tops of the bulb. If you cannot, add the fennel seeds for stronger flavor.

True pansotti are stuffed, with a mixture like this, but I rarely feel like filling pasta, and this way it makes a very fast meal and tastes just as good (it tastes even better with fresh pasta, page 541). Like Tarator or Skordalia (page 600), a terrific use of nuts as sauce.

If you can’t find pizzocheri, a buckwheat pasta cut like fettuccine, you have two choices: make it yourself (page 542) or substitute any fettuccinelike pasta. If you can’t find Taleggio (already a compromise, because when I had this dish it was made with a local Alpine cheese whose name exists only in dialect), use fontina (real fontina, if you can find it, from the Valle d’Aosta), or another fairly strong but not too hard or harsh cheese.

There is something about the sprightliness, the lightly assaultive, somehow-sweet nature of mint that is unlike any other herb. Here, softened by butter and cheese, to which it in turn lends spark, it converts a simple and basic but undeniably heavy combination into an easy but complex pasta dish that can best be described as refreshing.

A Ligurian specialty, usually made with “stamped” pasta—pasta that is rolled out and then cut with dies in special designs. You can use any cut pasta for this, though perhaps it’s best with fresh pasta like malfatti (page 542). If you have Tapenade (page 604), simply stir it into any tomato sauce to get the same effect.

A fast, classic pasta sauce popular not only in Rome but throughout central and southern Italy. Arrabbiata means “angry,” and this sauce should be not only spicy but also strong, with the taste of garlic that has been browned, not just colored—as well as a good dose of chile.

Another classic, this one Roman, that simply cannot be omitted; to do so would be a huge disservice to beginners. This is a great snack, late-night meal, or starter. For variety, toss in a couple of tablespoons of toasted fresh bread crumbs (page 580) or start with a few anchovy fillets along with the garlic and chile.

I featured this little group of recipes in my New York Times column and in The Minimalist Cooks Dinner, but it’s so instructive, important, and wonderful that I felt it belonged here as well. All (well, almost all) the variations begin with bits of cured meat cooked until crisp, around which are built a number of different sauces of increasing complexity. Most people insist that the “genuine” meat for these recipes is pancetta—salted, cured, and rolled pork belly. Pancetta is available at almost any decent Italian deli and at many specialty stores, but you can use bacon (or even better, if you can find it, guanciale, which is cured pig’s jowl; see the back of the book for mail-order sources). Pecorino Romano is the cheese of choice here, but Parmesan is also good.

A classic ravioli filling. Top with any tomato sauce.

Every traveler to Italy’s countryside tells stories about elderly couples seen out on the hillsides scavenging for greens. One of the things they do with the greens is fill pasta. One of my favorite quotes about ravioli was from a friend: “The older my grandmother gets, the bigger her ravioli.” If you’re unskilled, start with big ones; you will be far more successful. Remember that in Italy there have long been people—women, it’s safe to guess—who specialize in handmade pasta; it is a skill and an art, and unless you practice frequently, you’re not likely to get good at it. But it can be fun, and you can always choose to make cannelloni; see page 545.

This is a very rich pasta dough, as made in Emilia-Romagna. My feeling is if you’re taking the trouble to make fresh pasta, it ought to be sensational. This recipe meets that qualification. If this is the first time you’ve made fresh pasta, allow extra time; the rolling process takes some getting used to. But the dough is very sturdy and can be worked over and over, so eventually you’ll get it right. And, believe me, it will be easier each time you do it.

Udon noodles are generally made with softer wheat than Italian pasta, giving them a more tender texture. You can find them at Japanese markets and many supermarkets. Like Chinese noodles, they’re great stir-fried. And, as in any stir-fry, you can substitute for the pork, shrimp, or vegetables if you like.

A festive dish that takes a bit of preparation—a simple enough process, but quite a few steps. Nevertheless, it’s a delicious and unusual noodle dish, and because it’s best served at room temperature, you can make it a couple of hours in advance. Substitute shrimp or fish for the meat (or omit it entirely) if you like. Precooked fish cake is available at Korean or Japanese markets. Potato starch noodles are available at Korean markets.

These curried noodles are a standby, and can be prepared much more simply: stir-fry the noodles with onions and curry powder, for example, or with a bit of egg. This is a relatively elaborate version, and can be made more so with the addition of bean sprouts (with the basil), sliced Chinese sausage (with the pork or chicken), egg (as in the Pad Thai on page 536), or vegetables like broccoli or asparagus (parboil it first), or tomato. Information on Asian fish sauces like nam pla is on page 500.