Rice & Grains

I love the Southwest of the United States and the foods of that region. This recipe features three ingredients borrowed from its Native American culture: corn, beans, and peppers. Here, the stew is made with vegetable stock, but you can also use chicken stock. Wood-roasted pork shoulder or chicken can be shredded and added to the dish for an even heartier meal. The heirloom beans come from my friend Steve Sando’s company, Rancho Gordo. You can substitute other dried beans, but the flavor will be best if you use Rancho Gordo beans (see Resources). The stew can be made a day ahead and reheated just before serving. Any leftovers are terrific as a filling for tamales or enchiladas.

Risotto is typically made on the stove top with a fair amount of stirring to release the starch from the grains of rice. It can also be baked in a casserole, though it will be less creamy because less starch is released. Cooking it in a wood-fired oven adds a smoky flavor. The asparagus and Swiss chard are perfect additions in spring. You can use any of your favorite seasonal greens in their place. Diced butternut squash or yellow beets are terrific here too, as are the traditional mushrooms.

In Spain, the native land of paella, this classic dish is often prepared over a live fire. Georgeanne Brennan and I adapted this recipe from The Mediterranean Herb Cookbook on a wood-fired grill at her home, using onions, garlic, peas, and fresh herbs from her garden. You can use fresh or frozen calamari. The quality of the ham and chorizo is very important, so shop for the recommended types. If you can’t find them in your local store, shop online at The Spanish Table or La Tienda (see Resources). One of the secrets to this dish is that the herbs are added in layers. The second secret is to cook it over a wood fire!

Posole (pronounced poh-SO-lay), a Mexican soup adopted by northern New Mexico, is all about the hominy—bloated corn kernels softened with an alkali. Purists will cook their own from dried corn, but canned hominy is a terrific pantry staple for making a quick soup. Pork is the traditional meat for posole, but we like it with cheater chicken and beef as well. Serve posole in big bowls with a side of thinly shredded cabbage, diced onions, chopped tomato, a crisp tostado to crumble in the soup, and a lime wedge. Punch it up with a little hot sauce. Every time we make a batch, Min always says we should make this more often.

Min was first encouraged to make this dish when her fridge was jammed with leftover grilled corn on the cob. We liked this salad so much that now she doesn’t wait for a summer corn surplus—she cheats with a bag of niblets from the freezer. Frozen white shoepeg corn and frozen baby peas are two of Min’s constant freezer staples for ultraquick sides.

In the Sard dialect, the town of Villagrande is called Biddamanna. There, a vast parcel of Sard earth is su cumonale—owned by everyone of the community. Shepherds can pasture their sheep, townsfolk can collect wood for their fires, a family can cultivate a small orchard, a garden of vegetables. The Biddamannesi can walk kilometer after kilometer through forests, into the mountains, onto the moors, hunting, foraging, gathering, as they have done forever in this town with no walls, no fences. And, too, they cook for each other over great fires laid in the piazza near the village hall on feast days. Cauldrons of thick soups, mutton poached with wild grasses, and beautiful handmade pastas are offered with baskets of pane carasau and barrels of rough, purply cannonau. Though all Sards seem passionate about making packets of their food, these Biddamannesi seem more devoted, even, to the pursuit. They urge rough doughs into pouches and pillows plumped with all manner of savories and sweets, the bundles tumbled into gurgling oil or baked over wood embers or gently poached. Culingionis are raviolo-like pasta typically stuffed with bitter greens and an acidy, fresh ewe’s milk cheese or a paste of potatoes, nutmeg, cloves, wild mint, and pecorino. Though these are luscious, it is a half day’s ceremony to make them. Hence, I sometimes wrap the good potato paste in a crisp quilting of cheese pastry, a quickly done deed that gives up all the savor of the culingionis plus the prize of a gorgeous scent as the crostata bakes to crispness.

Bestriding the shoulders of the island’s western verges is the perfect borgo medievale (medieval village) of Erice, called so after he who was the mythical son of Venus, sired by the king of the ancient tribe of the Elimi. There is a fascination about the village, its apocryphal tales and its truths—gifts, one thinks, of the cults that once worshiped the gods of beauty and love there and carved into the village walls scripts still undecipherable. Limpid, sweet is its air, and from its sweeping lofts one sees Mt. Etna, her fury diffused in far-off mists. And there on a small piazza sits the pasticceria of Maria Grammatico, who fashions the most gorgeous, most delicious evidences of rustic Sicilian pastry. Many of Signora Grammatico’s formulas are borrowed from the epoch of the Ericina convent pastry-making—it, too, having once practiced a temperate rather than a Baroque style. This is a version of the celebrated Ericina ricotta pie.

Glorious Selinunte was raised up seven centuries before Christ and named by the Greeks after the wild, celerylike plant selinon, which then blanketed its riparian hills that fell to the sea. For us, the rests at Selinunte, more than any of the other Greek evidences, are the masterworks transcendent on Sicilia. There one can enter the great temples rather than stay, dutifully, achingly, behind a cordon. Hence, the temples there seem more familiar. One can remain, for a while, in the company of the old gods, to see the light change or to watch four chestnut horses, a newly foaled colt, and a fat, fluffy-haired donkey roaming over the fallow of broken marbles as though it were some ordinary meadow. One can eavesdrop on the discourse between two white doves until the silence comes—piano, pianissimo, save only the whisperings of wings. Some of the people we met who live in Castelvetrano, near Selinunte, spoke to us of a soup they remembered their grandmothers and aunts having made from a selinon-like plant that grew along the coast. They remembered it being smooth and cold, with a strong, almost bitter sort of celery flavor. Alas, neither selinon nor other wild grasses of its ilk are to be found. But prompted by our friends’ taste memories and our own sweet keepsakes of Selinunte, we fashioned this satiny, soothing soup to be offered on the warmest of days.

Sitting a few kilometers from the snarls of the city’s traffic, Mondello is Palermo’s beachfront. Less chic than it is drowsy, the tiny port’s center is paved with little trattorie that offer still-writhing sea fish from which one can choose a fine lunch. And at noon, just as bathers and strollers longing for some icy little aperitivo start off for the bars and caffès, a husky, microphoned voice seeming to come from the fat, dark leaves of the old plane trees intrudes on the operetta. With the precision of a corps de ballet, the cast of characters pivots in the direction of a small white truck, chugging slowly, then edging to a stop in their midst. Lo sfincionaro has arrived. In another place, he might be called the pizza man, though his is hardly some prosaic pie. His voice invites: “Just come to see them. They are warm and fragrant. I don’t ask that you buy one. I only invite you to admire them.” We watched as there came a fast gathering of his devoted. Mothers and babies, men in rumply Palm Beach suits, Australian fishermen on holiday, an Englishwoman with a great yellow hat and a silver-headed cane. Children clutching five-lire notes collected, each of them waiting for lo sfincionaro to enfold a great, warm heft of his beautiful onion-scented bread into a sheet of soft gray paper. A traditional confection of Palermo, it is called lo sfincione. It is a crunchy, rich, bread-crusted tart—and close kin to southern France’s pissaladière—that cradles sautéed onions, dried black olives, sun-dried tomatoes, anchovies, pancetta, and pecorino. Fashioning smaller sfincioni and piling them up, newly born, in an old basket and passing them about with jugs of cold white wine can make for a lovely summer supper.

Riso nero—black rice—is the dramatic name for a nursery dish offered to children as a light supper or as a sweet after a bit of broth or soup. It is most often just made with rice poached in milk that has been scented with cinnamon and mixed with a few shards of chocolate, the latter giving the dish its name as it melts and turns the rice a deep, dark color. Surely there are lovely similarities between it and pasta in nero della consolazione (page 118). Here I offer its comfort in a more adult version. The same prescriptions apply, though, as this is best presented after a light, reviving soup or, better, after no soup at all, so one can justify slipping one’s fork into the spiced, chocolate depths of a second or third piece of the sweet little pie.